The Organ
The Organ at the Church of St John the Baptist, Wimbledon , was built by the highly respected firm of Norman and Beard of Norwich in 1904, and comes from the best period of Norman and Beard’s work in a style that is increasingly highly valued.
Norman and Beard began on a very modest scale as Norman Bros, tuning organs in the 1870s in Norfolk and East Anglia. The two brothers were soon joined by G. Wales Beard and established a workshop in Norwich in the 1880s. The business rapidly flourished, and larger premises were soon required, advertised as being bigger and better equipped than any other in the industry. By the middle of the 1890’s Norman and Beard were one of the most productive, innovative and sought after organ building enterprises in the country, reaching the height of their popularity between about 1895 and the first world war.
1904 Norman and Beard
1926 Walker (Rebuilt; choir department added; Walker’s patented settable combinations installed)
2015 GO Organ Builders, Eaton Bishop, Herefordshire
Rebuilt, piston setting mechanism replaced; First stage of work 2014 complete electrification of actions, new oak console (Renatus) using original N&B draw-stop heads & bench, remainder new; case-work restored and repolished, relocated Pedal 16′ Open Diapason high up at treble end of the chamber to allow egress through West arch into side aisle. All pedal chests completely restored & electrified at the workshops. Second stage started 2015, restoration of all pipe-work and pitch change to A440; new organ blower fitted.
Swell
- Double Open Diapason 16’
- Open Diapason 8’
- Stopped Diapason 8’
- Echo Gamba 8’
- Voix Celeste 8’
- Principal 4′
- Mixture III (15.19.22)
- Oboe 8’
- Horn 8’
Great
- Open Diapason 8’
- Open Diapason 8’
- Wald Flute 8’
- Principal 4’
- Harmonic Flute 4’
- Fifteenth 2’
- Trumpet 8’
Choir
- Lieblich Gedact 8′
- Dulciana 8’
- Harmonic Flute 8’
- Lieblich Flute 4’
- Clarinet 8’
- Open Diapason 16′
- Bourdon 16′
- Bass Flue 8′
- Trombone 16′
Couplers
Swell to Pedal; Swell to Great; Swell to Choir; Swell sub‐octave; Choir to Pedal; Great to Pedal